In the Night Moderators (
inthenightmods) wrote in
logsinthenight2019-07-12 01:00 pm
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Entry tags:
- !event,
- billy russo (laws),
- coraline li (jejune),
- daylight vis lornlit (melly),
- dick grayson (jin),
- hanzo hasashi (abel),
- irwin wade (lauren),
- javert (rachel),
- jo harvelle (dee),
- jon snow (rachel),
- kuai liang (sydney),
- m.k. (shira),
- melisandre (mina),
- nathan drake (alex),
- number five (z),
- peter parker (laura),
- rafe adler (sammo),
- raylan givens (bobby),
- riku (dubsey),
- rosinante donquixote (lauren),
- shadow moon (kas),
- will ingram (leu),
- zihuan cao pi (gemini)
EVENT LOG: GRAVES

EVENT LOG:
GRAVES
characters: everyone.
location: Bonfire Square.
date/time: July 12-19.
content: mysterious shrines appear and bring visions of death.
warnings: likely violence and potentially gore.
time to pay your respects.
It happens when no one is looking, when most of the town is asleep and the rest are inside. A makeshift cemetery has come to Beacon, taking up residence in the middle of Bonfire Square. Each monument, shrine, and altar is dedicated to someone who now resides here, a memorial of their previous life.
Some may be drawn by curiosity, others by fear, and some may simply have to pass through this strange graveyard to get to the Bonfire itself. Whenever a person gets near, the altars beckon with a mysterious urge— an urge to approach, and an urge to leave something behind. They will feel compelled to make offerings at the various shrines, but doing so has a curious effect; it causes one to experience the death of the person whose grave they've honored.
Whether you resist the compulsion or give in willingly (or something in between), you'll also have to wrestle with the fact that a grave exists for you. Will you let your death be known, or try your best to keep it secret? Destroying it sure won't work, as it will return— with a duplicate somewhere else in town.
However you choose to deal with this, one thing is hard to ignore— this a tangible reminder of your death, and the fact that it's probably permanent.
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no subject
To what— [ jesus. that sounded like it came out of a gurgling toilet that won't flush any more. he clears his throat and tastes the cider, the apple juice, the punch of alcohol. well – he's drunk, already. might as well be a dumbass about it ] To what do I owe the pleasure?
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[She's tipsy, but not nearly as far gone as him, which means she gets to regard him with equal parts skepticism and vague amusement.]
Seeing my own grave? Not particularly. Witnessing the moment of my death? Perhaps. Witnessing at least ten other deaths? Ah, well. That might just be your answer. And what about you, hm?
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Correct.
[Unnecessarily added as she sets the glass down, her fingers still tracing around the rim.]
Don't fuss, now. You'll spoil the conversation. Tell me why you're here.
no subject
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He doesn't, of course. That's all right. Men rarely do. Only once she's satisfied with the length of silence that passes does she break it, scoffing as she turns back to her (his) drink.]
My intelligence, Mr. Givens, so far surpasses yours that it would be like comparing an infant to-- well, you, point in fact. So let's not start down that line of insult, shall we?
If you want me to be more blunt, say so. For example: how many deaths have you experienced tonight, Mr. Givens, because I'm up to half a dozen so far. Or was reliving your own enough?
no subject
that she's been putting herself through that, though – what does it say about her, to have put herself through that, over and over again? ]
Neither. Seein' the goddamn thing was enough for me. [ with an overly forced nonchalance that would have sounded more genuine were he sober, he asks, ] You see mine?
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[It's softer than he might expect, especially in the face of her icy snarling a moment ago. Rosalind stares at the far wall, her eyes lingering on a dusty bottle of god-knows-what. The glass is cool in her fingers, condensation already gathering, leaving the tips of her fingers a little wet. It's hot here, her corset stifling even with her skirt cut so short, hot enough that even taking a breath takes effort.]
. . . I'm--
[She pauses. Grips the glass, and then, with the sense she'd been about to say something very different:]
You wanted a daughter.
What did you imagine she would be like?
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the questions she gets instead, though, completely reverse that decision. she could have asked anything, literally anything else, but she had to ask about that. his jaw works. ]
Blonde like Winona. Maybe my eyes. Winona's nose. Better'n me. [ there's no self-deprecation in that, just a rare moment of honest self-awareness. ] Raised better. Less angry.
[ winona had said that. you do a good job of hiding it, and i suppose most folks don't see it, but honestly, you're the angriest man i have ever known. like it was nothing, like it was obvious. maybe it is. he doesn't think about it all the time, but it's there under the surface. whenever he has nothing else to think about, it always comes back to that.
raylan sucks in a breath and forces himself to stand straighter so he can wave over a forest spirit. ] Yeah, can I get another apple pie 'shine.
no subject
(Would she have thought such things? A baby was never in her future, but then Robert had happened, and he hasn't asked yet, but she can tell where his thoughts stray each time a child races past them. Would she treat it like that? Imagining features and hopes and desires? Odd).
The spirit hops-to, moving just a little too swiftly to be considered natural. Within thirty seconds he's got another drink set down before him.]
And what would you name her?
no subject
[ he draws his head up to eye rosalind as clearly as he can manage, which isn't very clearly at all since his head feels like it's on a swivel. ] Why don't you tell me how you're holdin' up, hm?
no subject
[It's such an automatic answer that there's no pause. It rolls off her tongue easily, because she's always fine, even when she isn't.]
And even if I wasn't, Mr. Givens . . . what precisely will you do about it? If I told you I was full of grief or rage, what would you do?
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Buy me a drink, Raylan.
[It's a quiet instruction, bossy but not. A moment, and she nudges her (his) glass back towards him. There's only a bit left, but. Gestures.]
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Two more, [ he tells the nearest spirit. she didn't specify, and she'd been drinking his 'shine, so. ] You know, some people... Not me. But some people. They might could be put off by your – demeanour.
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[She wraps both hands around the glass as the spirit puts it down, pleased at the chill that shoots up her fingers. Her thumbs rub up against the glass, symmetrical motions that mean nothing at all. That moonshine is stronger than it seems, and she blinks once, slowly, her mind spinning just a little as she realizes she's tipping from tipsy to drunk.
Hm. That's not good, and yet she can't bring herself to care.]
Men-- hmm, men take too many liberties otherwise. They take the slightest friendly glance as invitation. Besides: if they're put off by a few cold words, there's little chance they can handle me.
[A few seconds pass. She considers this answer. It's accurate. It's what she might have said if she was sober-- but because she isn't, she adds, just a little sulkily:]
And I dislike most people . . . they're so dull.
no subject
You remind me of someone, [ he says, quite apropos of nothing. ] Someone I knew back home.
no subject
A friend or an enemy?
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I can tell you easily. Does his opinion differ or align with yours on most issues? And don't try and weasel out of the question, Raylan, it's one or the other.
And given that answer . . . do you find yourself more exasperated or fond of me? There's your answer.