In the Night Moderators (
inthenightmods) wrote in
logsinthenight2019-07-12 01:00 pm
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Entry tags:
- !event,
- billy russo (laws),
- coraline li (jejune),
- daylight vis lornlit (melly),
- dick grayson (jin),
- hanzo hasashi (abel),
- irwin wade (lauren),
- javert (rachel),
- jo harvelle (dee),
- jon snow (rachel),
- kuai liang (sydney),
- m.k. (shira),
- melisandre (mina),
- nathan drake (alex),
- number five (z),
- peter parker (laura),
- rafe adler (sammo),
- raylan givens (bobby),
- riku (dubsey),
- rosinante donquixote (lauren),
- shadow moon (kas),
- will ingram (leu),
- zihuan cao pi (gemini)
EVENT LOG: GRAVES

EVENT LOG:
GRAVES
characters: everyone.
location: Bonfire Square.
date/time: July 12-19.
content: mysterious shrines appear and bring visions of death.
warnings: likely violence and potentially gore.
time to pay your respects.
It happens when no one is looking, when most of the town is asleep and the rest are inside. A makeshift cemetery has come to Beacon, taking up residence in the middle of Bonfire Square. Each monument, shrine, and altar is dedicated to someone who now resides here, a memorial of their previous life.
Some may be drawn by curiosity, others by fear, and some may simply have to pass through this strange graveyard to get to the Bonfire itself. Whenever a person gets near, the altars beckon with a mysterious urge— an urge to approach, and an urge to leave something behind. They will feel compelled to make offerings at the various shrines, but doing so has a curious effect; it causes one to experience the death of the person whose grave they've honored.
Whether you resist the compulsion or give in willingly (or something in between), you'll also have to wrestle with the fact that a grave exists for you. Will you let your death be known, or try your best to keep it secret? Destroying it sure won't work, as it will return— with a duplicate somewhere else in town.
However you choose to deal with this, one thing is hard to ignore— this a tangible reminder of your death, and the fact that it's probably permanent.
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no subject
but aveline's aim had been endin' the war. he'd known what he was gettin' into. kyna ain't got no stakes in the knowin', an' besides. he ain't been a man of her acquaintance long, but he trusts her.
the conflict's still evident in him, though. the set to his shoulders, the line of his jaw. the way his hands work themselves closed, an' then back open again. )
All the men in my family line can. Goin' back as many generations as you please. Ain't a one of us it's missed.
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[And she can tell he's conflicted. This is one of those delicate secrets that all of her friends seem to have, so, gently, she tries to make him feel a little more relaxed.]
That happens a lot where I'm from. Not seeing ghosts, specifically, but... My best friend back home was just kind of born to magic, you know? I've always taught myself, but he just gets it, like breathing. I think it's always run in his family.
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Guess it stands to reason. We inherit a lot, don't we?
( his tone makes it rhetorical, an' about more than just the color of your skin or hair or eyes, how tall you are or how smart. there's a legacy to be inherited just as much. )
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But that isn't the point. The point is Gene, and so she shifts her focus to him.]
You keep talking about Reggie like he's... You said like looking at the sun, right? And I bet he was pretty amazing, but all those people you two saved...
[She nudges his leg with her foot gently.]
That was you too, you know. Maybe even more you.
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gently, )
I appreciate you sayin' so, Kyna. I do, but that ain't a reassurance I need.
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Sorry, I didn't mean... I wasn't trying to, um...
[She falters, struggling to gather her words again. It isn't unusual for her to screw up like this, even though she's gotten better at this sort of thing.]
I didn't mean to be an asshole. I just don't want you to... Sell yourself short, I guess?
[Does that make sense? She hopes it makes sense.]
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( he puts his hand atop hers and squeezes gently. )
You weren't bein' an asshole. I'd tell you plain if that's how I took it. It's just, part of what soldierin' means to me, an' it ain't your fault for not knowin'.
( he might call it survivor's guilt if he had cause to know the term. an' it is, really. you live when your buddy dies. someone gets shot or shelled or throws themselves on a goddamn grenade — )
But I know what I did in the war, an' I'm at peace with the differences I made. I don't need to take more credit than's my due.
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[She turns her hand under his and laces their fingers together. She still thinks maybe he's going easy on her, but she'll take it. Maybe he won't mind if she keeps being nosy about Reggie, instead.]
How did you and Reggie meet?
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Ah, I apprenticed under a fella named Ezra, learnin' carpentry in New York. Reggie's Ma'd ordered some furniture be made. She was a doctor, an' colored besides so she'd been turned away at a few other places, but Ezra weren't about that. He took on her order. Reggie came to pick everything up when it was finished, an' the two of us got to talkin'. Soon as he found out I didn't know a soul besides Ezra in Brooklyn, he wanted to take me out on the town. We'd hang out at Cafe Society an' listen to the musicians there an' drink Coke an' smoke. Lord, we saw so many folks — Miss Ella Fitzgerald, John Kirby an' his sextet... Hell, Buck Clayton half a dozen times.
( at the time, it'd been like steppin' into a new world of wonder and beauty. there was a lotta ugliness to be had too — cafe society was the first an' probably still the only club in new york that weren't segregated by race, an' more than once they took shit for their acquaintance on the street. but reggie had this way about him, an' a manner of turnin' enemies to friends without them scarce realizin' it was happenin' on account'a him bein' hell an' gone smarter than most of them. )
His folks died in a car accident in '40, an' he an' I moved back to Agathine a spell while their estate got sorted out. Once it was settled, he went to Britain to see his grandparents an' I guess somewhere in there he got tangled up in the War. He never talked about it much, an' he died in '42. Few days before I shipped out on our first operation in Italy.
no subject
Uh... So... People don't really say...
[She clears her throat awkwardly.]
They don't say colored anymore. It's kind of...
[Come on, Kyna. Pick a good word.]
...insensitive?
no subject
There a better word?
( one he can use in its place, at least. )
no subject
[She wrinkles her nose.]
Like black, or Asian, or... you know.
[Wow, this racial politics lesson sure is going great.]
no subject
( because lordy, that'd be right up there with curin' polio. )
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Oh, yeah. There was a whole movement and everything. Segregation isn't a thing anymore.
no subject
Army too?
( what a world. he knows the future'll be plagued by much of the same problems as the past. human nature is immutable. but. it's the little things like this that're givin' him hope. )
no subject
Yeah. There are even girls in the Army now. With like, guns and shit.
no subject
Hey, there are plenty of lady officers in the WAC. An' I know more'n'my fair share of 'em on the front lines of the War, too. The Russians even got gals flyin' planes an' workin' as snipers on the Eastern front.
no subject
Damn, that's like... progressive.
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Just about, doesn't it? But I'm glad to hear it. Really, I am.
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[And then, still playful, but just a little softer:]
So, were you and Reggie, like... You know...
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it takes him an obvious, tangible effort to. uncoil. ease down, breathe. he knows kyna didn't mean anythin' by it, an' if there ain't no segregation an' ladies can serve as front line fighters an' all that other stuff, it stands to reason that men inclined towards men or women inclined towards women wouldn't be much different. he lets out a breath an' some of the tension goes with it, which ain't nothin'. )
No. He weren't about that.
no subject
Hey, you know it's okay if you are, right? No one's going to think anything of it.
[She hesitates.]
I mean, it's okay if you're not, too. Or if you don't want to talk about it. Or, um... You know.
no subject
I, uh. ( help him. ) I — I reckon I don't much have a preference one way or another.
( porque no los dos? )
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Yeah, me neither.
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gene just. tries for a smile that ain't a small amount of grimace, an' ducks his head. )
We definitely don't talk about that in my day.
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