bruce "i'm kin with bats" wayne (
pearlstrings) wrote in
logsinthenight2019-12-03 09:08 am
Entry tags:
closed
characters: Bruce Wayne, Jason Todd, Riku, Vanitas
location: The museum + the church
date/time: Post Sandman event- from the point that the dreamers wake +4days
content: Jason tips his hand and some complicated truths are revealed + Bruce goes to the church to wait for familiar faces to be resurrected
warnings: violence, gore, character death
museum | jason todd
[He's dreaming until he isn't. It's a difficult thing to describe as dreaming in the first place when Bruce doesn't remember falling asleep. They're before and after images- he had been there, at the dinner. And then he'd been looking up at the church, squinting through barely remembered sunlight.
His body feels stiff and that's perhaps the first sensation to occur to him. The muscle in his stomach and arms is tight from disuse, his back feels like one solid shape that's been locked together. Everything is dark and cold. Bruce tries to flex his toes but he isn't sure if it follows through- if it's an idea of if it actually carries. He tries his fingers. And slowly he becomes aware of his face- the muscle around his mouth and the space between his brows. There's no corona behind his closed eyes and Bruce is sure he must be back where he started, but he isn't vertical anymore. Everything around him feels strange and muted- as if his hands are over his ears.
A small noise comes out of him, not quiet a grunt, but more than a breath. And slowly Bruce is able to open his eyes for the first time in two weeks.]
church | riku + vanitas
[Jason leaves. This is not unexpected because in the time they've known each other, if it could be called that, Jason leaving has become a sort of constant. Their paths intersect from time to time, and then they are forcibly diverted. Bruce doesn't blame him; he suspects that Jason would have fled while he was still smouldering if he could. It was necessity that had kept them together, reversed their positions.
But alone in the museum once more Bruce hears his tablet respond, an incoming message. It's reassuring to see that Riku is present and accounted for, that he's already trying to get on top of things, to organize. Bruce understands this reaction because it's one that they share.
And that changes as soon as the tablet chimes again. The bulletin.
If he is honest (and Bruce tries to be honest) he isn't take aback to find Vanitas's name on the obituaries. He has been listed before, but there is a chaotic recklessness in him that Bruce has long since been aware of. A kind of fearlessness in regards to his own limits, to whatever pain his actions might incur. There is a moment where he considers how this might change his demeanor and what Bruce might be able to learn about his motivation. But that moment is subsumed by Jim Gordon's name on the list. It strikes Bruce like a glancing shot- that makes his ears ring and makes his body feel hot with urgency and nausea.
The James Gordon he knows has always been part of the GCPD and by extension his life has always been close to danger. Sometimes that danger is more present than others, sometimes it's more personal. He has been targeted more than once and Bruce has lost sleep for worry before. He has has practice clamping the lid down on what might have happened, on his worst fears. He tries to remind himself of this now, as he climbs to his feet and tears out the door without bothering for a jacket or even his shoes. The dead do not stay dead here. He knows this to be fact, he has seen it, Vanitas himself is a testament.
But the fear persists.
Bruce races to the church like a man possessed, along dirt trails and through trees, until the building looms ahead of him- a strange twin to the place he'd just woken from.]
location: The museum + the church
date/time: Post Sandman event- from the point that the dreamers wake +4days
content: Jason tips his hand and some complicated truths are revealed + Bruce goes to the church to wait for familiar faces to be resurrected
warnings: violence, gore, character death
museum | jason todd
[He's dreaming until he isn't. It's a difficult thing to describe as dreaming in the first place when Bruce doesn't remember falling asleep. They're before and after images- he had been there, at the dinner. And then he'd been looking up at the church, squinting through barely remembered sunlight.
His body feels stiff and that's perhaps the first sensation to occur to him. The muscle in his stomach and arms is tight from disuse, his back feels like one solid shape that's been locked together. Everything is dark and cold. Bruce tries to flex his toes but he isn't sure if it follows through- if it's an idea of if it actually carries. He tries his fingers. And slowly he becomes aware of his face- the muscle around his mouth and the space between his brows. There's no corona behind his closed eyes and Bruce is sure he must be back where he started, but he isn't vertical anymore. Everything around him feels strange and muted- as if his hands are over his ears.
A small noise comes out of him, not quiet a grunt, but more than a breath. And slowly Bruce is able to open his eyes for the first time in two weeks.]
church | riku + vanitas
[Jason leaves. This is not unexpected because in the time they've known each other, if it could be called that, Jason leaving has become a sort of constant. Their paths intersect from time to time, and then they are forcibly diverted. Bruce doesn't blame him; he suspects that Jason would have fled while he was still smouldering if he could. It was necessity that had kept them together, reversed their positions.
But alone in the museum once more Bruce hears his tablet respond, an incoming message. It's reassuring to see that Riku is present and accounted for, that he's already trying to get on top of things, to organize. Bruce understands this reaction because it's one that they share.
And that changes as soon as the tablet chimes again. The bulletin.
If he is honest (and Bruce tries to be honest) he isn't take aback to find Vanitas's name on the obituaries. He has been listed before, but there is a chaotic recklessness in him that Bruce has long since been aware of. A kind of fearlessness in regards to his own limits, to whatever pain his actions might incur. There is a moment where he considers how this might change his demeanor and what Bruce might be able to learn about his motivation. But that moment is subsumed by Jim Gordon's name on the list. It strikes Bruce like a glancing shot- that makes his ears ring and makes his body feel hot with urgency and nausea.
The James Gordon he knows has always been part of the GCPD and by extension his life has always been close to danger. Sometimes that danger is more present than others, sometimes it's more personal. He has been targeted more than once and Bruce has lost sleep for worry before. He has has practice clamping the lid down on what might have happened, on his worst fears. He tries to remind himself of this now, as he climbs to his feet and tears out the door without bothering for a jacket or even his shoes. The dead do not stay dead here. He knows this to be fact, he has seen it, Vanitas himself is a testament.
But the fear persists.
Bruce races to the church like a man possessed, along dirt trails and through trees, until the building looms ahead of him- a strange twin to the place he'd just woken from.]

no subject
The effort fails regardless, but then Bruce feels like that about many things. His life has been a series of vignettes, too little too late- all the growth and knowledge and strength in the world have never been enough to allow him to backtrack, to undo history. If he'd known that their physical positions would be so important to him, Bruce would have kneeled. He would have gotten on the floor. It doesn't occur to him that Jason is seeking equality because from where he's standing, they have always been on even ground.
But none of it, not the urgency or the punch of breath, not the crease between Jason's brows or the sight of his bare feet off the edge of the bed lessens the blow. Bruce is afraid of the things he wants so he tries to keep them small- he tries to press the number down and make it quiet, make it impossible, put it in a dark place where his eyes can slide over it. He doesn't sit in his father's study and think about what it would be like to be part of a family again. To have brothers or sisters, to have a partner, to have children. He doesn't know what that would look like when his very existence puts the people close to him in danger. It's broken Alfred's back- it's stabbed him and beaten him and killed him once. It's crippled Selina- it's turned her mother against her, it's put her in cuffs, it's left her bleeding out on his floor. It's abducted Dr Thompkins and lost her child, broken her engagement, run her from the city, killed her once too. It's turned a gun on Jim Gordon a thousand times over.
And it's too easy to hurt a child.
But here's the evidence; Jason Todd, who looks his age, who is too much like Bruce in all of the worst ways, who carries the weight of a grudge he refuses to share. Bruce feels the horror turn over inside him. The bone deep terror of every worst fear come to life. Ra's had promised, hadn't he? He'd promised that Bruce's children would be punished for his failures.
And he hates the place inside him that knows, sees all of these things- and feels hopeful anyway. That wants to reach back for it and take this in both hands. A family. His family.]
I let you die.
no subject
again. there's a flash of annoyance that he can't help, when he hears the blame. It's exactly what bruce had said the first time, exactly what they'd fought over. And it never, ever stopped being a fundamental misunderstanding between them. Bruce was caught up in the experience of the failure-- a failure that had been Jason's fault. he wasn't dumb enough to deny that if he'd just listened to Bruce, he would have lived. His mother would be alive, though still a huge risk, and the Joker would never be able to taunt him about being the death that got away.
but it was never the reason that he was angry. it was never the source of his grudge, even if it was what Bruce felt guilty over.]
It's a hell of a lot more complicated than that.
[ it's his backstory. it's something he has to live with-- when most people wouldn't even get to live again. which is the most annoying part of it, to come back and to see that the way his family had dealt with the grief was to just erase his entire existence, something he'd only just started to claim back. it also confirms that he was right. he was right to keep that off of Bruce's shoulders.
absolution couldn't, and wouldn't, ever come. the best either of them could do was put whatever was between them aside. Jason had tried to just put aside the whole relationship, but that had been a stunning failure. ]
But close enough, I guess.
[ was there anything else they could even discuss? that he'd be willing to? talking about it was like digging a knife deeper into his back. painful, and not desirable. he pushes away from the bed, and stands, ignoring the pain from his hands, and the tightness of his skin. ]
no subject
Jason gives himself away with tension- as if his body is a cable wound too tight for too long, and as if Bruce is here turning the crank, pushing for just a little more. He's angry, frustrated perhaps, and it isn't with the responsibility for his death because instead of finding his eyes, flinty and dangerous- Jason gets to his feet. He looks like he wants to run. Bruce wonders when that started. If he's ever been able to run far enough, or instead- if it's like his own feelings for Gotham. There's only so much rope. He always comes back.
His hand falls and they settle quietly in Bruce's lap. He doesn't stand up to follow him and there's an unspoken offer in that as well, his willingness to surrender the high ground, his willingness to let Jason dictate how much space they'll have.]
What did I miss?
[Close enough would never satisfy him. Surely Jason must know that.]
What have I gotten wrong?
no subject
That was right.
[ though as he says it, his tone calms and the annoyance fades. Bruce is still just a dumb teenager. An exceptionally smart one but... he hated when the adults dragged kids into their stupid playtime. Their stupid vanity projects, while the kids that got dragged were more than eager to prove their worth. Prove their ability to keep up with the adults. So, he would be remiss to do this to Bruce.
Just because he could. And though it’s difficult, he exhales and has to admit frankly, ]
This isn’t between you and me. I didn’t want you obsessing over things you haven’t done— and maybe wouldn’t even do. Who knows.
no subject
He can't deny the possibility within himself, that he might find a boy outside one of his cars. That he might choose to take him in. How many times has Alfred admonished him about his fondness for strays?
But instead of snapping his jaws shut, or worse, electing to get as far from the museum as possible, Jason continues to speak. It has to be the longest, most honest conversation they've had. Bruce's head lifts and he follows the movement- the shape of his face as each thought changes his expression, as he tries to reason with himself.]
It is between you and me.
[Bruce isn't incapable of defiance, he's certainly modeled it a worrying number of times already- but that isn't the nerve he finds here. He has always been soft-hearted. However much he arms and armors himself, it's easy to find points of similarity between him and others- more veil than wall. Jason is not exception. But this isn't entirely about kindness. This isn't an entirely selfless act. And transparency is the least he can offer.]
I'm not the man [He hesitates over the word father. He's not sure he's able to imagine it yet, to say it without thinking of his own. He's not sure if Jason could stand to hear it.] you know. Whatever it is you want from him, I know I can't give it to you.
-But I still want to know.
I'm not asking you to hold me accountable for it all. But if I'm going to do those things, if I might be that man one day, I want to do it better.
no subject
[ of course he'd want to try and make something better, before the real complexities settle in. Jason remembers too much of that attitude, and how long gone it feels, complicated by the weight of what Gotham is, and of what being a vigilante has really ended up meaning to Bruce. But there's a part of him that would like to hope that maybe if he reasoned with Bruce, told him ahead of time, he'd understand. Before his opinions had a chance to harden.
Before any of this had a chance to happen. It was something Peter had asked, after all, if he was willing to make things better for some other Jason Todd, where ever he was. But how could he do that, when so much of this was predicated on what happened after he came back.
when he viewed it as an eventuality-- that he had two options in life: fall into the abyss and come out a worse person, or die, and become what he was. as dark as that was. it was Bruce's defiance vs. what he already knew about himself. About Bruce. And not sure if he wanted to reconcile that, after everything. ]
It's not that simple. You're asking me to tell you everything that happens, so you can take sides against yourself? Or, worse, take sides against me? Like we haven't had this argument at least every time you meet?
[ but he knows he won't accept that. that another request will come, that there will be an inch by inch crawl towards the truth. So, if there was one thing he was willing to admit... ]
You want something to work on? Maybe work on not fucking overreacting in the future.
no subject
[Bruce's fears are too intimately tied to his desires and in many ways that makes them easy to weaponize. Anyone that gets close enough to see underneath, to peel away the layers he covers himself in, will know exactly where to push, will know exactly how much pressure is required. But it also means that he isn't cowed by the reply leveled at him. He has no interest in defending the person that Jason knows, the person he may yet grow up to become.
But the experiences he's had, the place he's ended up, all of it- deserves to be heard. Bruce has never been very good at following advice or opening himself in the ways he's been asked to, especially for the people that worried for him most. He recognizes that Jason is maintaining a perimeter between them, checking the metaphorical bricks in the wall. He suspects it's been this way for a long time, that by extension, Jason can't hear that it is that simple.]
People deserve to be heard.
[He remains seated, watchful and still. Jason's gun remains beside him on the table, chamber loaded, safety off.]
Surely, sometimes the right way is also the ugly way.
no subject
[ there is a small, bitter laugh that comes from the back of his throat before he can really help it. the ugly way was what he tried. look what that got him: disowned and teetering on the edge of Bruce personally throwing him out of Gotham. it had took a bit of a hail mary to stop that. And honestly?
every way Jason could think of to resolve anything was at the very least... pretty ugly. and maybe it's the pain, maybe it's just feeling that little hope. but it's comical. ]
Oh, that's funny. I could tell you what the ugly way looked like, but again. I don't think you get what you're asking. Talk is cheap, you know that.
And I could be a liar, you know.
[ or a con-man. like father, like son, right? everything Willis and Cathy Todd passed onto him. everything he'd learned on the street. he has a feeling Bruce thinks he has him pegged. that he could pick up the bread crumbs. but there was still a distinct information advantage. between the two of them, Bruce is way more curious about him than he is about Bruce. there are aspects of everything that could be different.
he suspects they're different.
but what advantage does he get from working things out with a Bruce that he'll never see again once this is over? some other Jason Todd might be less of a fuckup, might still get to survive and come out of this okay? Yeah, Jason's not willing to bet on himself in that case. he stands, looking for the things that shouldn't have been totally trashed, ignoring the tightness in his upper body. the pain searing along burn lines and hand prints, where total burns had only just become partial burns. ]
Every way is the ugly way with me, Bruce. It's the Jason Todd special.
no subject
[He gets to his feet slowly. It isn't the first time he's made a conscious effort to be trackable- for his movements to be clear and distinct, able to be followed and observed. It isn't even the first time he's done it for Jason. This isn't the only thing he's willing or able to offer, but he suspects it's the only thing Jason will accept. In this moment at least.
His legs are stiff, the muscle tight from disuse in the combination of weeks spent sleeping and hours crammed into a chair at the man's side. He doesn't make an effort to close the distance because while Bruce can acknowledge that he isn't socially adept, he knows how to read a body. He knows his approach with be unwelcome- that it may even feel like the tightening of a noose.
Bruce isn't swayed by ugliness. How can he be, when he knows how much of it lives inside him too? Jason has asked him almost nothing and while that absence of curiosity might be painful for someone else, it isn't something he can hold onto right now. This isn't about him. It speaks more largely to the conflict of ideologies Jason levels in his direction. He says that he doesn't want to hold him accountable for the actions of some other man, but he makes to effort to understand this one. He wants to maintain distance but circles back anyway, a wound he can't stop picking at. That won't heal.]
I can accept that you feel afraid. Maybe you're afraid of my reaction to it, or maybe you're afraid of what it'll mean for you to put into words. I know that the truth is often unkind.
If you want to keep it to yourself as a means of control, a kind of power advantage then I don't fault you for it. I think it's what I would do.
But if we're ever going to be more than that, it won't happen because of me.
It's a decision you'll have to make.
[He wonders if Jason regrets it all. If, given the chance, he would tell Bruce not to stop for the boy taking the tires. That he'd be better off.]
no subject
an immediate flood of defensiveness, and his eyes narrow.
he's died. he came back, he's lived through everything since then, only with the slightest nagging at the back of his mind that he probably shouldn't even be alive. that it would be better in a fuller sense if he weren't-- after all, the Lazarus Pool has brought its share of struggles. but it takes everything in him to fight that defensiveness, and the tight line it draws in his body. he doesn't want to lash out, but he knows he's going to. ]
I'm not afraid. [ he can't help the anger that trembles in his voice at that word ] I just have no expectations anymore. You think I haven't put it into words? That I didn't immediately try to figure out why you erased me, and then left the man who killed me alive?
That I didn't try to deal with being replaced, and then disowned? And when all of that fell through, that I tried to do things the "Batman" way, for all the good it fucking did me?
You don't know what you're asking.
no subject
What he'd meant by afraid was that he could understand what it meant to look at a box, sealed by every possible lock and to have someone asking to open it. But what he meant doesn't matter. You erased me, Jason says. And Bruce can't find it in himself to think it out of character- not when he's seen what he does to his own pain. Left the man who killed me alive. Bruce has killed two people already and destroyed everyone he loved in the process. This too he believes himself capable of.
Bruce watches him, and is lapsed profoundly into silence- a mute witness.]
no subject
it threatens to oppress everything around them as fully as the darkness does, as Jason observes the pensiveness written on Bruce's face. the lack of reaction.
silence is assent. silence is an admission as loud as any protestations.
it leaves jason alone in all of the admissions he's just given. the information he didn't want to share, and the uncomfortable acknowledgement that he isn't over it. that he will never be over it. and that until the end of time, he's always going to be Sisyphus. He would never be able to move Bruce. and it can only be a second, a moment in time, but it feels like agony.
he looks away and as smoothly, grabs his gun. and makes to grab his boots.
he couldn't take it anymore. ]