In the Night Moderators (
inthenightmods) wrote in
logsinthenight2019-10-09 03:38 pm
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Entry tags:
- !event,
- aziraphale (xy),
- bruce wayne (marzi),
- bucky barnes (gail),
- crowley (mj),
- daylight vis lornlit (melly),
- elektra natchios (carlee),
- elena gilbert (amy),
- eliot waugh (pytho),
- elizabeth (li),
- ignis scientia (helena),
- jason grace (erica),
- javert (rachel),
- jo harvelle (dee),
- jon snow (rachel),
- kettara bloodthirst (fade),
- kol mikaelson (jade),
- m.k. (shira),
- masaomi kida (wind),
- noctis lucis caelum (anya),
- peter parker (laura),
- prompto argentum (daimon),
- quentin coldwater (ireth),
- riku (dubsey),
- rosinante donquixote (lauren),
- stone (gail),
- vanitas (king),
- xayah (helena)
EVENT LOG: BURY A FRIEND

EVENT LOG:
BURY A FRIEND
characters: everyone.
location: around town.
date/time: october 9-17.
content: the hallucinations begin...
warnings: psychological horror. please cw tags appropriately.
it's probably something that shouldn't be said out loud
October 9 feels like a normal day at first, save for the red lighthouse beam cutting through the darkness overhead. You know by now—or you've heard—that the lighthouse is only active during ferry arrivals and events... And there's definitely no ferry docked at the, er. Beach. The town is quiet, the forest spirits behave business-as-usual, Rastus doesn't know what's up. Whatever's going on, you'll have to figure it out for yourself.
And you will, though the hallucinations are subtle at first: objects moving when they shouldn't, people's proportions looking just a bit off, voices in an empty room, and so on. Is it just your mind playing tricks in the darkness? Might be! Will did warn you all about the effects of living without a sun and a proper day/night cycle.
As the days go on, the hallucinations are harder to ignore, no matter how much you may wish to wave them off as flukes. What's wrong with everyone's faces? When did all the howling start? Who do you hold onto when the world drops out from under you? And those hands...
While you might know it can't be real, it certainly feels real. But at least it can't last forever!
...Right?
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[Still with his eyes closed and hugging Eliot so close, their faces kissing-close and the hands-- the fucking hands--]
Don't-- don't-- if you. Uh, don't do it gently? Please?
[Too similar, too familiar right now and Quentin pushes harder in to Eliot's hand.]
Are you--? Are you okay? Are you hurt?
[Not that Quentin is going to open his eyes to check, not yet. He isn't ready for those flaming eyes to look back at him, is never going to be ready to see that again. It was horrible enough the first time and this time, this time he's going to lose it. If the Monster comes back. If-- if--if]
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I'm. I. I don't know? I don't think so. I. Other than. I mean. Maybe my brain is. Hurt a little. I don't. I don't understand why I keep seeing Mike? Or. Or why he's saying all these things. I. I didn't want to do it. I didn't. I- I'm not. I'm not a murderer. I- I don't--
[ eliot huffs shakily against quentin's shoulder, furrowing his brow, pressing deeper. ]
Are you okay? I couldn't find you. And And you never came home? I. Why are you all the way out here? I was so scared.
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Mike? I see-- I keep seeing Alice. Alice and Julia? And-- the monster? There are so many hands, always touching--
[Like that explains anything at all, because it comes out disjointed and like questions. But Quentin says it anyway, mouth pushed in to Eliot's shoulder.]
I was home? I was-- I've been. Under the bed? I think. I think I've been sleeping under a bed. Because-- because he liked to watch me sleep and I couldn't-- I can't do that again.
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Under the bed? I. I didn't look. I couldn't find you. I thought maybe you just. You left? Because I'm. Well. I guess you don't need a reason to leave. I'm. I only made a mess of us.
But I'm not the Monster. I don't-- I don't even know what he's really like. Except when he was in Charlton? But now I now Charlton. I don't know the actual. Um. Whatever he is.
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[Quentin offers, shaking his head and ignoring, ignoring, ignoring the comments and the calls and the sweet smell of candy.]
He wasn't-- anything like you? Like a child, maybe? But. Angry. So, so angry. Ora, the. She was the one who looked after him? Said he was made of pure want. And he wanted a lot of things.
[He shudders, somewhere between remembering and still hearing that soft and wrong voice in his ear.]
The hands are the worst. But I was there? I had to stay close in case, but also-- I couldn't. I'm sorry that I couldn't--
[Be in bed and wake up with the monster looming over him.]
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No, no. It. It was my own fault? I thought. I.
I let him free. And. I should have listened. I shouldn't have been selfish. I should have j- just. [ let quentin go. quentin was never really his to have anyway. only whenever quentin felt he was enough. ]
The hands are. They come and go. I only feel yours right now.
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[Quentin says a little forcefully before shuddering again.] You didn't want this to happen. What-- uh, what the monster did, isn't on you. Any more than it's on me.
[And there's a high-pitched giggle in his ear, saying I like you like it's a secret.]
I-- they never really go away? Now? It's-- jesus, it's all the time now. It--they never stop?
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I don't want to make it worse though. I. What should I do? With my hands.
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[Or so he'd thought at the time, that it had to have been enough with fifty odd years and change.]
Just don't touch me gently?
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Well-- I didn't realize you were into that kind of thing. Is that why we could hear you and Alice through the walls all the time?
[ he sighs through his nose. as much as he wants to just. keep. joking. he really can't. even the humor is gone, burnt through a lick of flame and then he's pressing into quentin again, swaying them the slightest bit as he holds on to quentin tightly. ]
We're still just kids, Q. Like. Maybe kind of adults, but. We've barely lived. How could you think that? That it was just enough? [ he swallows. ] Was it because of me? Because I. Lied?
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[Normal. The teasing and Eliot's warm breath by his ear and Alice hissing that Quentin must have hoped for something like that. That that's why he was always louder in the cottage than anywhere else, but Let's face it, Q, it's not as if you were ever any good at it.
But. Tight. Is good. Is better. Keeping him in the now, and makes it even slightly possible to ignore the other stuff.]
Oh god. No, Eliot. Fuck, I love you? More than anything. But you turning me down isn't enough to make me want to kill myself. I-- it had to be someone, and why not me? Fifty years and a kid and you, and I'd already lived my life? More than most. Better it was me than anyone else.
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[ the longer they talk like this, the more the rest of the world seems to fade into the background, disappearing from view altogether. it's like the first night they'd been here again, but with more clarity. and with both of their fragility, only honesty follows. ]
None of use wanted to lose you. No matter what happened to magic.
...and. Yeah. A lot of people heard. But it's not like we don't have that kind of thing happening every other week during a party anyway, so.
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[And all of magic, because it had to be someone, why not him this time? Everyone else had already been through so much, had already giving so much of themselves and Quentin had escaped all of that with just a few more scars on his soul and a slightly heavier heart.
So, he'd thought - why the hell not.]
Yeah. That-- that really doesn't make it any better that everyone heard me. Jesus. Good thing I didn't know at the time.
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That wasn't what I was saying though. None of us wanted you to protect everyone. You don't ever protect yourself, and that's why it's. It hurts all of us. Or. Hurt, I guess, now. We're always hoping you can see what we see in you, but. It's like. Like you doon't want to?
A little, anyway.
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[For no reason at all, since everyone hearing is everyone hearing, but not-knowing seems like a shield against being too embarrassed about it, even in hindsight. But, it's not as if he's going to see anyone again. Probably.
Quentin's face falls from the soft half-smile in to a serious one, eyebrows drawing tight together.]
I guess I don't really know what you see in me? Any of you? I never really did.
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But that doesn't mean I don't try to understand. Since I know it's important to you. Because I love you.
[ though his hold doesn't slacken, he feels his heart ease up. he still feels like mike is there. watching. ready to say anything at any moment, so just make it hurt. twisting the knife had always been easy for people eliot had let in. but he doesn't want to stay here. it's too dangerous. there's the river. and quentin. and all these things they're seeing, hearing, feeling that aren't really there. ]
Hey. Let's go home, okay? I. I don't. I didn't like the way you were looking at the river.
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Quentin shudders.
Those hands.
And hugs Eliot tighter.]
Yeah. Okay, yeah. We can-- okay. We can go home.
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You need to eat. And sleep. And.
And that way, I'll be near. If you call for me, I'll be there in a second. And you can know who is real, and who isn't.
...we can have a code? If it helps. Something the Monster never knew.
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And the monster.
Quentin knows where it sleeps at night, because it likes him.
Instead, he just nods slowly and takes a deep breath.]
Peaches and plums. It didn't know about-- it didn't know about any of that. If you say it, I'll know it's you.
[Again and again, for always.]
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he hopes it's enough, that what they shared and who they were is all quentin needs to remember. eliot isn't sure that he can be, though. ]
Okay. Then. Then if you're unsure, you can say "peaches" and I'll answer with the rest. So you'll really know. You can't complete the other half without knowing the whole thing, so.
[ he pauses to sigh. and then: ] You know, I never thought I'd be coming up with a safe word before we actually got to anything kinky, but I guess there's a first for everything.
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[He doesn't feel like it's going to be fine, not for a long time, not with the ghosts of past mistakes haunting him like this, but he can try. For Eliot. Because he's not going to go to the river, staring in to the swirling lights at the bottom and he's not going to see if he can catch those lights with his hands, even if he wants to.
Because like this, always when he was like this, doing what he wants isn't a good idea.
Quentin laughs out a loud, a startling watery thing, but it's a laugh all the same and rubs his face against Eliot to clear his head a little.]
Peaches and plums wouldn't be good safe words for something kinky. It takes too long to get out. And also, I've always wanted my safe word to be Quidditch.
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turning he presses a kiss to quentin's neck. it's gentle but. well. the monster didn't do that kind of thing apparently, so it's probably fine? he's hoping it's fine too, anyway. ]
Mm. I'll allow it. I'm never going to talk about Quidditch so if I ever say it again, then you'll know something's up. Besides, I like peaches.
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[Quentin teases, the trace of a smile in his voice and his hands are like vices, fisted in to the back of Eliot's shirt so he can't notice them shaking.]
I like peaches, too. I mean, they're up there? On-- on a list of fruits that I like? Peaches are up there near the top. Jesus, this sucks. Okay, so. Okay, we can go home. I'm ready.
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I have an image to uphold, you know. I'm too Bellatrix Lestrange to be talking about your silly little game, Potter.
[ as he jokes, his hand reaches up, finding quentin's arm and tugging one loose so he can twine their hands together. ]
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[Quentin lets go, but only because holding on would be weird and it might make Eliot stop to look at him, and right now, Quentin doesn't want to be seen. And he wishes for his hair back, from before Brian cur it all off and left his face all unprotected with nothing to hide behind.
He squeezes Eliot's hand though, releasing his other hand so they can walk without stumbling all over each other.]
You even had a cane and everything.
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